entre ruído e movimento
Entre Ruído e Movimento
ari sendim, ISABEL MEDEIROS, VASCO LIMA, ANA ALMEIDA, DANIELA GRANCHAS, FÁBIO DUARTE, MARTIM FERNANDES, RITA SANTOS, TERESA MORGADO
ON VIEW | July 10 – August 2, 2025 [Wed-Sun, 4:00 PM–8:00 PM] PERFORMANCES/CONCERTS | July 10, at 5:00 PM
GUIDED TOUR | July 10, at 4:30 PM
Organized in partnership between Zaratan – Arte Contemporânea, the Post-Graduate Program in Sound Art: Experimental Processes, and Associação Goela Association, Entre Ruído e Movimento (“Between Noise and Movement”) presents the projects developed within the scope of the 8th edition of the Post-Graduate Program at the Faculty of Fine Arts of the University of Lisbon.
The exhibition approaches sound art from a variety of disciplinary angles and formal expressions, bringing together a heterogeneous set of sound compositions, interactive installations, audiovisual pieces, and other multimedia experimentations that reflect on sound as a creative medium.
Complementing the exhibition is a series of 5 sound performances by copo d’água, Mersez, Rita, Calor Extremo, and Martim Fernandes, taking place on July 10 from 5:00 PM.
Also on the opening day, there will be a guided tour (at 4:30 PM) led by the students and professors of the Post-Graduate Program themselves, which will include a Portuguese Sign Language interpreter.
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“For some, noise is an unpleasant sound, an unforeseen signal; for others, it is interference in the system, deviation, and resistance. Between the noise of the masses and the movement of the earth, the winds are born that change the instant of the lights. Between Noise and Movement may lie the most beautiful decision in history, the most correct and just synapse that seizes the moment, the energy that distorts the straight line. The closed hand that spins around nothingness is not called to reason; it is merely the square of the gratuitous semantics of the days.
But here, the colors of the world arise, the chromatic noise of emancipated movements and of all the manifestos yet to be made. Words are few in this commotion; we need the river that flows backward, the slow rotations that disturb the hurried. The movement that unites us hides the faint noise of the stone, the gentle gesture that shapes the rope. In the lightness of the hours that we have since forgotten, we find its nature. The obscure image of memory, the light whistle of the reeds and sheets that whiten the air. The pieces of this system smell of the light that illuminates us.”
F.F.
ORGANIZATION/CURATION | Daniel Antunes Pinheiro, Diogo Melo, Fernando Fadigas
POSTER | Afonso Matos